Related Paintings of unknow artist :. | Still life floral, all kinds of reality flowers oil painting 269 | Self-portrait | Still life floral, all kinds of reality flowers oil painting 195 | European city landscape, street landsacpe, construction, frontstore, building and architecture. 291 | une pipe a la main |
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Jean-Baptiste Pater
Jean-Baptiste Pater (December 29, 1695 - July 25, 1736) was a French rococo painter. Born in Valenciennes, Pater was the son of sculptor Antoine Pater and studied under him before becoming a student of painter Jean-Baptiste Guide. Pater then moved to Paris, briefly becoming a pupil of Antoine Watteau in 1713. Watteau, despite treating Pater badly, had a significant influence on him. However the two quarreled and Pater returned to Valenciennes, where he remained for two years. In 1721, Pater and the dying Watteau reconciled; subsequently Pater became a student of Watteau once again, although only for a month before the latter's death. Pater later claimed to have learnt everything he knew during those few weeks with Watteau. He was accepted into the Academie in 1728, presenting a large military work in the popular Watteau style - La Rejouissance des Soldats (Louvre).[1] Pater adopted the popular Fete galante subject matter, heavily imitating his teacher Watteau, indeed he directly copied some of his figures. Pater used a traditional Rococo pastel palette. His most characteristic difference in style from other artists of the time surrounded his use of shimmering lines. His most prominent customer was Frederick the Great, who sat for two portraits in the "Turquerie" style: LeSultan au Harem and Le Sultan au Jardin. One of Pater's most renowned works is Landscape with a Cart (Schloss Charlottenburg), which is considered to display a feathery application of paint that anticipates Francesco Guardi. The delicately constructed subject matter and figures subordination to the buildings represent a movement away from fete galante, however this development was cut short by Pater's death in 1736.
VINCKBOONS, David
Flemish Baroque Era Painter, 1576-ca.1632 was a Dutch painter of Flemish origin. Vinckboons was one of the most prolific and popular painters and print designers in the Netherlands. Himself influenced by Pieter Bruegel the Elder, he was instrumental ?? together with Hans Bol and Roelant Savery ?? in the development of genre painting in the northern Netherlands. The family moved to Antwerp around 1580, and then to Middelburg after the Spanish occupation of Antwerp in 1585. It is not likely they moved for religious reasons to Amsterdam. His father became a citizen in 1591, but none of his grandchildren were baptized in a Calvinist church. In 1602 David married in Leeuwarden to Agneta van Loon, the daughter of a notary. Then he lived in Sint Antoniesbreestraat like many other artists and painters. According to Karel van Mander he did not have any teacher other than his father Phillipe, a painter on canvas with watercolors, an art form practised mainly in his birthplace of Mechelen. David specialized in elegant figures in park-like landscapes (Outdoor Merry Company, 1610; Vienna, Akademie der Bildenden K??nste) as well as Kermis and other village festivals. His landscapes reflect his contact with Gillis van Coninxloo. Vinckboons attracted a number of students; among them were Gillis d'Hondecoeter, Claes Janszoon Visscher and probably Esaias van de Velde. Vingboons, as his name is often spelled,
Justus van Egmont
Justus van Egmont (Leiden, 22 September 1601 - Antwerp, 8 January 1674) was a Dutch Golden Age painter and designer of tapestry. Justus van Egmont moved to Antwerp at age 14 with his family where he became apprenticed to the painter Caspar van den Hoecke (ca. 1585 - ca 1648). In 1618, three years later, he undertook a Grand Tour to Italy in the manner of other artists of his day. This was considered a necessary rite of passage for artists after Karel van Mander published his Schilderboeck in 1604.